Theorist of Sensation, Racialization, and Excess​

Amber Jamilla Musser is a writer and thinker who has published widely on race and critical theory, queer femininities and race, race and sexuality, Black feminisms, queer of color critique, embodiment, and aesthetics.

Her research has been supported by grants from the Ruth Landes Memorial Fellowship and the Arts Writers’ Grant from the Warhol Foundation. She has also held fellowships at New York University’s Draper Program in Gender Studies and Brown University’s Pembroke Center for Teaching and Research on Women.

She has an MSt in Women’s Studies from Oxford University and received her Ph.D. in History of Science from Harvard University. She is currently a Professor of American Studies at George Washington University. She previously taught Women, Gender, and Sexuality Studies at Washington University in St. Louis.

To hear her discuss her research with Cathy Hannabach on the Ideas on Fire podcast

Kent Monkman with Amber Jamilla Musser: New Social Environment #118​

17/09/2020

Sensual Excess: Queer Femininity and Brown Jouissance

Sensual Excess: Queer Femininity and Brown Jouissance (NYU Press, 2018) turns toward sensation and aesthetics in order to imagine epistemologies of sensuality that emerge from fleshiness. Using analyses of particular works of art, each chapter draws attention to specific aspects of pornotropic capture that black and brown people must negotiate while also identifying moments of brown jouissance that exceed these constraints. In addition to containing critiques of normativity and proffering epistemologies of sensuality against those of sexuality, the book argues for sensation and aesthetics as minoritarian forms of knowledge.

Sensational Flesh: Race, Power, and Masochism

Sensational Flesh: Race, Power, and Masochism (NYU Press, 2014) uses masochism as a lens to theorize different felt relationships to power. The book beings together debates on masochism within feminism, discussions of masochism from psychoanalysis and critiques of colonialism, literary presentations of masochism, and performance and visual art that draws on masochism’s repertoire in order to make an argument about the relationship between sensation and knowledge production and the racialization of our current episteme of sexuality.

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